Ebony Graphics is a small commercial gallery on the North Shore that specializes in printmaking, relief work, and hand-pulled editions. The space functions as both a working studio and retail gallery, operating at a scale where the artist and sales operations occupy the same footprint, making it distinct from Chattanooga's larger nonprofit galleries and museum spaces.
The gallery centers on relief printing techniques—primarily linocut and woodcut work—alongside other print editions and related hand-made art. The inventory includes finished prints, limited-edition series, and artist-signed work. Because the studio operates as a working space, visitors often encounter the printing process in progress or can request demonstrations of how blocks are cut and printed. The aesthetic leans toward bold, high-contrast imagery characteristic of relief methods, with subject matter ranging from portraiture to abstract composition to social and cultural themes.
Individual prints typically range from $25 to $150, depending on edition size, paper quality, and whether a piece is a small study or a full-scale release. Framed or matted options cost more; custom framing adds $50 to $200 depending on frame style. The gallery also sells artist's books, postcards, and occasionally larger sculptural or mixed-media pieces in the $200 to $500 range. Confirm current pricing and availability by phone or email before visiting, as inventory of specific editions can shift.
The North Shore and Downtown Chattanooga contain several commercial and nonprofit galleries. Hunter Museum of American Art, a larger institution on the bluff, focuses on painting, sculpture, and photography across multiple centuries and costs $15 for general admission. Chattanooga Public Library's River Gallery offers free community exhibitions but rotates work monthly and does not sell inventory. Fine art galleries like The Bald Faced Stag (also North Shore) stock painting, sculpture, and mixed media but do not emphasize printmaking as a primary medium. Ebony Graphics differs by specializing in a single, labor-intensive technique and allowing direct access to the maker and production process in a single, walkable location. Choose Ebony Graphics if you want to understand or buy prints and relief art specifically; choose Hunter if you want comprehensive art history in a controlled museum setting; choose a community gallery if you want free access to rotating local work.
This gallery suits collectors interested in printmaking, artists wanting to study technique or buy hand-pulled editions, and visitors comfortable with a small studio environment. It appeals to people who value the story of how an object is made and are willing to engage with the artist directly. It does not suit visitors seeking large-scale installations, photography-focused work, or art in a formal museum context. It is not wheelchair accessible unless entry and facilities have been recently modified (verify access before visiting).
Arrive unannounced and expect to walk into a working studio. The artist or staff will greet you and can walk you through current work, explain the carving and printing process, or show you how a specific piece was made. Most visits last 20 to 45 minutes depending on how much conversation or browsing you do. If you want a longer conversation or a custom print, call ahead to ensure availability. Expect to pay cash or card; confirm payment methods before arriving.
The gallery operates by appointment or during posted walk-in hours, which have shifted in recent years. Verify hours and days of operation before visiting. Parking on the North Shore is street parking; no dedicated lot is available. The gallery is located within walking distance of other North Shore restaurants and galleries, making it feasible to combine with a larger outing to the neighborhood.
Ebony Graphics serves a specific and skilled practice in a city where most commercial galleries stock multiple mediums and styles. For anyone curious about how prints are actually made, or in search of relief work that reflects the artist's hand, the directness of the studio visit makes the trip worthwhile.
